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3 giugno 2010 4 03 /06 /giugno /2010 14:14

invito-stemperando-2010_Orizzontale.jpgTitolo Mostra: "STEMPERANDO 2010" quarta edizione
Curatore: Giovanna Barbero
Luogo e date di svolgimento: dal 15 giugno al 29 luglio 2010 – Biblioteca Nazionale Universitaria di Torino – Piazza Carlo Alberto 3, Torino.
Inaugurazione: martedi’ 15 giugno 2010, ore 18,00 saranno presenti gli artisti.
Promossa da: Ministero per i Beni e le Attivita’ Culturali, Biblioteca Nazionale Universitaria di  Torino, I.N.A.C. Istituto Nazionale D'Arte Contemporanea, Direzione Generale per i Beni Librari e gli Istituti Culturali, Regione Piemonte.
Catalogo: Collana Musei Verso l'Arte Edizioni – Roma

Opere: ogni artista esporrà tre opere recenti su carta, di varia foggia, dimensione, tecnica e, soprattutto, ognuno della personalissima espressione artistica.

Artisti:

 

LUCA ALINARI - ALDO ANDREOLO - ARCANGELO - AUGUSTA BARIONA - DIENG BASSIROU - ALBERTO BAUMANN - LEONARDO BLANCO - MARTA BLASCO - BRAM BOGART - RAFAEL CANOGAR - MARIA CRISTINA CARLINI - BRUNO CECCOBELLI - GIORGIO CELIBERTI - SANDRO CELLANETTI - SANDRO CHIA - MICHELE CIRIBIFERA - ENRICO COLOMBOTTO ROSSO - RICCARDO CORDERO - FRANCO COSTALONGA -MARIELLA CROSIO - GIOXE DE MICHELI - LUCA FANCELLO - MATTEO FERRETTI - ENNIO FINZI - DANILO FIORUCCI - EVA FISCHER - LUCIANA GALLO - HORACIO GARCÍA  ROSSI - GIOVANNI GIULIANELLI - CARLO GIULIANO - EZIO GRIBAUDO - GIORGIO GRIFFA - JOSÉ LUIS GUTIÉRREZ - JIANG SHANQING - ATTILIO LAURICELLA - NICOLÁS LEIVA - RICCARDO LICATA - LIU ZHONG - MARCO LODOLA - LONG BUJIANG -GABRIELA MALVIDO - UGO NESPOLO - MICHELLE ODELIN - BEN ORMENESE - JULIO PACHECO RIVAS - MIMMO PALADINO - ADRIANA PIGNATARO - FRANCESCO PREVERINO - MARCO NEREO ROTELLICLAUDIO ROTTA LORIA - ENZO ROVELLA - GIOVANNI SALA - SERGIO SARRI - ANGELA SEPE NOVARA -FRANCISCO SOBRINO -GIACOMO SOFFIANTINO - RENATA SORO - SILVANO SPESSOT - MARIO SURBONE - FRANCESCO TABUSSO - JEAN PIERRE TANGUY - JORRIT TORNQUIST - FRANCO TROIANI - XU DE QI - ZHANG HONGMEI - ZHANG XIANMING.

 

La mostra rimarrà aperta fino al 29 luglio 2010 e sarà visitabile con ingresso libero.
Rispetterà l'orario della Biblioteca Nazionale Universitaria di Torino, ossia da lunedi’ a venerdi’  dalle ore 10,00-13,00 alle ore 15,00-18,00 – il sabato dalle ore 10,00 alle ore 13,00 - chiusa la domenica.

 

STEMPERANDO 2010

Continuera’ in mostra

dal 27 settembre al 20 novembre 2010

Alla Biblioteca Nazionale Universitaria di Cosenza

e

dal 20 gennaio al 5 marzo 2011

Alla Biblioteca Nazionale Centrale di Roma

 

Per ulteriori informazioni e rapporti con la stampa rivolgersi a: www.stemperando.it

tel.: 327 5557009 - e-mail: info@stemperando.it  edizioni@versolarte.it

Si ringraziano i signori Colleghi Giornalisti che vorranno collaborare alla diffusione della presente notizia e li preghiamo di avvisarci via e-mail della pubblicazione della stessa affinché possiamo provvedere alla rassegna stampa dell'evento.

 

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26 maggio 2010 3 26 /05 /maggio /2010 03:27

Trussardi.jpg

Paul McCarthy
Pig Island, 2003–2010 (Detail)
Mixed media, 11 x 10 x 6 m
Courtesy the artist and Hauser & Wirth

Pig Island
Paul McCarthy

20 May – 4 July 2010

Fondazione Nicola Trussardi
Palazzo Citterio
Via Brera 14
Milan, Italy
info@fondazionenicolatrussardi.com

Open daily, 10am - 8pm
Free entrance



www.fondazionenicolatrussardi.com

Curated by: Massimiliano Gioni, Artistic Director, Fondazione Nicola Trussardi

Fondazione Nicola Trussardi is proud to present Pig Island, the first major solo show in an Italian institution by Paul McCarthy. The foundation has invited the legendary American artist to premiere his monumental piece - along with a wide selection of works from 1970 to 2010 – at Palazzo Citterio. The Palazzo is one of the most unusual places in the city of Milan: it has been closed for over 25 years and now reopens thanks to the collaboration of Fondazione Nicola Trussardi and Soprintendenza per i Beni Architettonici e per il Paesaggio di Milano.

McCarthy’s videos, performances, installations and sculptures transport visitors to a universe that combines Hollywood glamour with the dark side of the American dream. Combining minimalism and performance, Walt Disney and George W. Bush, McCarthy has used the human body, with all its desires and taboos, to create a unique, irreverent, and satirical language that combines Pop Art with fairy tales, the nightmares of the daily news with universal archetypes.

Pirates, clowns, Santa Claus puppets, home-made avatars, and mutant monsters populate McCarthy’s theater. Ketchup bottles, cans of food, mechanized pigs and cast body parts pop up in his exhibitions like the remnants of some bad dream. McCarthy’s shows are conceived as giant theme parks that stage raving bacchanals. Like a circus ringmaster, McCarthy constructs exhibitions in which celebrities impersonators interpret deranged parodies of movies, or in which Mickey Mouse and Snow White are caught in bestial acts of regression.

For the exhibition with Fondazione Nicola Trussardi, Paul McCarthy presents one of his most complex and ambitious works, Pig Island, making its world debut at Palazzo Citterio. This giant sculpture grew in the artist’s studio to fill over 100 square meters with a surreal anthology of the themes that have cropped up throughout his career. The installation Pig Island is a carnivalesque amusement park in which human beings behave like pigs. A treasure island in reverse, Pig Island is a sculptural shipwreck in which pirates and their heroines throw themselves with abandon into wild revels. The installation is a contemporary Raft of the Medusa: its characters can finally cast off their inhibitions and reveal their all-too-human nature. A contemporary Merzbau, Pig Island is a work-in-progress that Paul McCarthy has been developing for over seven years and can be read as a titanic self-portrait of the artist.

The piece—accompanied by many others among which the historical Ketchup Sandwich (1970) and Chair With Butt Plug (1978), the brand new Paula Jones (2010), a selection of films realized with Damon McCarthy, and the monumental Static (Pink) (2004-2009)—is installed in one of the few examples of contemporary architecture in Milan. Still completely hidden to the public, and left in a state of disrepair, this building will be unveiled for the first time on this occasion. The show explores an underground bunker carved out beneath the city, where one finds the archeological artifacts of a Never-Never-Land: the exhibition Pig Island combines Paul McCarthy’s hypertrophic, Rabelaisian works with the rawness of a gigantic, endless work-in-progress.

With Pig Island, Fondazione Nicola Trussardi continues to produce works by today’s most interesting artists for the forgotten monuments of the City of Milan. Since 2003 the Fondazione Nicola Trussardi has organized exhibitions with, among others: Michael Elmgreen & Ingar Dragset, Darren Almond, Maurizio Cattelan, John Bock, Urs Fischer, Anri Sala, Paola Pivi, Martin Creed, Pawel Althamer, Peter Fischli & David Weiss, and Tino Sehgal, and Tacita Dean. Fondazione Nicola Trussardi has collected its projects in What Good Is The Moon? a 368 pages book, available in bookstores worldwide, which presents brand-new articles, behind-the-scenes information, and texts as well as over 450 photographs and illustrations. In this occasion, Fondazione Nicola Trussardi is also launching its new website at
www.fondazionenicolatrussardi.com.

Pig Island, organized by Fondazione Nicola Trussardi, is Paul McCarthy’s first solo show with an Italian institution. Special thanks go to Ministero per i Beni e le Attività Culturali - Soprintendenza per i Beni Architettonici e per il Paesaggio di Milano. The exhibition is realized under the patronage of City of Milan’s Department of Culture and Region Lombardia. Thanks to Open Care, Milano.

 
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26 maggio 2010 3 26 /05 /maggio /2010 03:22

Picasso.jpg

 

Pablo Picasso The Charnel House, Paris 1944 - 5
© Succession Picasso / DACS London, 2010
Photo: © 2010 Digital Image, The Museum of Modern Art, New York / SCALA, Florence

Picasso: Peace and Freedom
21 May – 30 August 2010

Tate Liverpool
Albert Dock
Liverpool, L3 4BB, UK
+ 44 (0) 151 702 7400

www.tate.org.uk/liverpool

A major exhibition bringing together over 160 works by Picasso from across the world will be presented at Tate Liverpool from 21 May to 30 August 2010. Picasso: Peace and Freedom will reveal a fascinating new insight into the artist's life as a tireless political activist and campaigner for peace, challenging the widely-held view of Picasso as playboy and compulsive extrovert.

After 1944 Picasso became a public figure and hero of left wing causes. He joined the Communist Party in 1944 and during this period the political content of his work came to the fore. His paintings frequently reference key historical moments, chronicling human conflict and war, but also a desire for peace. This is the first exhibition to explore Picasso's political engagement in the Cold War era, and how the artist transcended the ideological and aesthetic oppositions of East and West.

The exhibition will bring together almost 60 paintings and sculptures as well as 100 key drawings, prints and posters related to the theme of war and peace from 1944 to 1973. The centrepiece will be The Charnel House 1944-45, which was last seen in the UK 50 years ago - Picasso's most explicitly political painting since Guernica 1937. Monument to the Spaniards who Died for France late 1945 to 31 January 1947 will also feature along with still lifes, The Women of Algiers 1954-55, Las Meninas 1957, Le Déjeuner sur l'herbe (after Manet) 1959-61, and The Rape of the Sabines 1962, painted at the height of the Cuban Missile Crisis. A range of documentary materials, including newspapers, magazines and books featuring Picasso's work as well as photographs bring the period alive.

Picasso's Dove of Peace became the emblem for the Peace Movement and universal symbol of hope during the Cold War. Picasso's lithograph of the fan-tailed pigeon given to him by Matisse in 1948 was selected for the poster of the First International Peace Congress held in Paris in 1949. Picasso provided variations on the dove for Congresses in Wroclaw, Stockholm, Sheffield, Vienna, Rome and Moscow. The dove had a personal significance for Picasso invoking childhood memories of his father painting doves. In 1949 Picasso named his daughter 'Paloma' – Spanish for 'dove' – born in the same month as the Peace Congress in Paris.

The exhibition is organised by Tate Liverpool in collaboration with the Albertina, Vienna where it will be presented 22 September 2010 – 16 January 2011

Picasso: Peace and Freedom is curated by Prof. Lynda Morris, AHRC Research Fellow at Norwich University College of the Arts, and Dr. Christoph Grunenberg, Director, Tate Liverpool.

Supported by the European Regional Development Fund (ERDF).
With additional support from the Spanish and Andalucía Tourist Offices and the Spanish Embassy Cultural Office. Special thanks to the Fundación Almine y Bernard Ruiz-Picasso para el Arte and Arte and the Arts and Humanities Research Council. Media Partner: The Times. Travel Partner: Virgin Trains

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26 maggio 2010 3 26 /05 /maggio /2010 03:18

Roma Art Road

ROMA – The Road to Contemporary Art

In 2010 Rome becomes the focal point of interest for professionals and contemporary art lovers during a week of exciting international events. The preview presentation of the new spaces of MACRO and the opening of MAXXI provide the most anticipated events during that period.

From May 27 – 30, Roma – The Road to Contemporary Art presents its third edition.


THE FAIR - ROMA - The Road to Contemporary Art opens the spring season dedicated to contemporary art, and presents 67 national and international galleries to offer visitors the unique opportunity to see and buy art works by some of the most established artists or from the most interesting new and emerging artists of the global artistic panorama.

A new and single venue hosts the Fair at MACRO Testaccio; the Fair is installed in the two pavilions of MACRO Future and in the amazing and recently restored Padiglione della Pelanda.

The ample outdoor areas in front of the Pavilions host large format art works, a bar, a restaurant and a lounge, as well as a platform dedicated to events and performances.

ROMA will be open every day from 4 pm to midnight, Sunday from 11 am to 8 pm.

AT THE FAIR - a rich program of events, starred chef's dinners, guided tours, meetings, conversations, presentations, artistic and musical performances, concerts, dj-sets, video projections, animate daily the Fair grounds at Macro Testaccio.

Between the various initiatives: Verba manent, exclusive visits to the Fair with important and well known personalities such as Alessandro Haber, Fausto Bertinotti, Nicola Spinosa, Piero Maccarinelli, Daniela Ferretti, Massimiliano Tonelli, Ermete Reallacci, Massimo Bottura; an unusual way to introduce the public to the fascinating language of contemporary art.

Eat with art, in the vip lounge at the Fair 4 prestigious female culinary artists and starred chefs such as Aurora Mazzucchelli, Rosanna Marziale, Nadia Moroni, Cristina Bowerman will realize a unique and exclusive gastronomic experience.

4 magazines x 4 parties: from Wednesday to Saturday, h. 11 pm to 2 am, four events of art, video, photo, music and live performances curated by Bang Art Magazine, Insideart, DROME Magazine and Fefè.

Displaying /Displaced, features Video, Sound Art Performances and concerts by internationally renowned artists. Furthermore interviews with artists, dealers and collectors, and the various Fair events, will be broadcast by Roma.Radio.Art.Fair, the first web radio created by a Fair.

AROUND THE FAIR - The Fair coordinates a program of exhibitions and events. The Complex of Santo Spirito in Sassia will host three exhibitions: Cose Mai Viste (Things you have never seen), curated by Achille Bonito Oliva, presents the art works of 5 important and never seen private collections: Berlingieri, Dalle Nogare, Di Maggio, La Gaia, Morra Greco. Accademia delle Accademie, curated by Shara Wasserman, will feature works by the fellows in visual arts from the foreign Academies and Cultural Institutes in Rome. Finally, Spirito, curated by Valentina Ciarallo and Pier Paolo Pancotto, features a site specific light installation by Mat Collishaw (an evening visit is recommended).

At the Casa dell’Architettura-Acquario Romano, Piazza d’Arte, curated by Eduardo Cicelyn, presents twenty photographs by Peppe Avallone to celebrate the 15th anniversary of the installations created for Piazza del Plebiscito in Naples.

A new and interesting initiative is Academies’ Feast, a project developed in cooperation with 9 of the more prominent foreign Academies and Cultural Institutes in Rome, and which will open on May 25th. The exhibitions of international artists from different countries, installed in the Academies or in other locations around the city, represent an authentic journey through the most recent artistic production in different parts of the world.

The GUIDE, complete with all the events, can be downloaded from the website.

ROMA – The Road to Contemporary Art is an event promoted by the Municipality of Rome, Cultural Policies and Communication Department and by the Chamber of Commerce of Roma.

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26 maggio 2010 3 26 /05 /maggio /2010 01:23

Vernissage du mardi 25 mai 2010

023-copia-1008-copia-1.jpg025.jpg030.jpg021.jpg029.jpg037.jpgPhotos-avril-2010-041.jpg032010.jpg042.jpg009.jpg045.jpg039.jpg44.jpg036.jpg

Mohamed Mourabiti à Estamp’Art Gallery

 

Estamp’Art Gallery, Première salle d’exposition, dédiée exclusivement à l’œuvre d’art sur papier : Gravures, lithographies, sérigraphies, folios et livres - d’art, inaugure son espace avec une exposition personnelle, sans précédent, d’œuvres gravées et folios de l’artiste peintre Mohamed Mourabiti avec des poèmes de Moustapha Nissabouri, Adil Hajii et Abdelhak Serhane. Une œuvre surprenante, empreinte de subtilité et intemporelle d’une des grandes figures de l’art contemporain marocain.

 

Exposition ouverte au public du 25 mai au 5 juillet 2010

 

Estamp’Art Gallery

 En partenariat avec l’Atelier Lahkim Bennani, éditeur d’estampes originales depuis 2002

11. Rue Imam Kabab. Belvédère. Casablanca. Tél : 0522249767   Mob : 0661183808

E-mail : eag@menara.ma E-mail : alb@menara.ma site web: www.alb.ma

 

Du lundi au vendredi : de 9h à 13h et de 14h30 à 19h

Samedi de 9h à 13h, le samedi après midi et dimanche sur rendez vous

 

Au plaisir de vous recevoir

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25 maggio 2010 2 25 /05 /maggio /2010 12:53

Mohamed-Mourabiti.jpg Mohamed Mourabiti à Estamp’Art Gallery

 

Estamp’Art Gallery, Première salle d’exposition, dédiée exclusivement à l’œuvre d’art sur papier : Gravures, lithographies, sérigraphies, folios et livres - d’art, inaugure son espace avec une exposition personnelle, sans précédent, d’œuvres gravées et folios de l’artiste peintre Mohamed Mourabiti avec des poèmes de Moustapha Nissabouri, Adil Hajii et Abdelhak Serhane. Une œuvre surprenante, empreinte de subtilité et intemporelle d’une des grandes figures de l’art contemporain marocain.

 

Exposition ouverte au public du 25 mai au 5 juillet 2010

Vernissage le mardi 25 mai à partir de 19h en présence de l’artiste

 

Estamp’Art Gallery

En partenariat avec l’Atelier Lahkim Bennani, éditeur d’estampes originales depuis 2002

11. Rue Imam Kabab. Belvédère. Casablanca. Tél : 0522249767   Mob : 0661183808

E-mail : eag@menara.ma E-mail : alb@menara.ma site web: www.alb.ma

 

Du lundi au vendredi : de 9h à 13h et de 14h30 à 19h

Samedi de 9h à 13h, le samedi après midi et dimanche sur rendez vous

  

Au plaisir de vous recevoir

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6 febbraio 2010 6 06 /02 /febbraio /2010 15:41

Frida.jpgBOZAR Expo

Tél. : 02-507.82.00

http://www.bozar.be

Palais des Beaux-Arts - BOZAR

r. Ravenstein 23
1000 Bruxelles

Ouverture
ma. au di. 10 à 18h, je. jusqu'à 21h
Prix 8 (€)

Dans le cadre du Festival du Mexique, !MEXICO!, qui se déroulera du 16 janvier au 18 avril 2010 au Palais des Beaux-Arts de Bruxelles, nous vous invitons à découvrir l’oeuvre de Frida Kahlo au travers des tableaux appartenant au fonds du Museo Olmedo.

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6 febbraio 2010 6 06 /02 /febbraio /2010 14:54
Tom-Friedman.jpgTom Friedman 
"Up in the Air"
February 5 - June 6, 2010


Curator: Richard Julin

Magasin 3 Stockholm Konsthall
Frihamnen, SE -115 56 Stockholm
Phone: +46 8 545 680 40
art@magasin3.com
http://www.magasin3.com

Tom Friedman
"Up in the Air", 2010
Courtesy the artist 

 

Magasin 3 Stockholm Konsthall is proud to present Tom Friedman's first solo exhibition in Scandinavia. Over the past year the artist has been working on a new piece, "Up in the Air", for the exhibition at Magasin 3, an enormous installation that summarizes Friedman's work and his artistic perspective on contemporary reality. In this comprehensive exhibition we are also presenting key works from the breadth of his varied production up to the present day.



Tom Friedman is an inquiring artist who follows his own precise logic and creates astonishing objects out of everyday materials. Like an alchemist he extracts the essentials of a thing and then proceeds to turn the ordinary into something extraordinary. Friedman encourages us to question how we see and what we consider to be real. An artistic sensibility that is at once serious, playful and profound.



Curator Richard Julin says:

"Friedman attempts to understand the world through his work, and every new artwork represents an act of discovery. He hopes to create a space for us viewers to slow down, room to explore thoughts that we have not had previously."



Tom Friedman (born 1965) is an American conceptual artist, who had his major breakthrough in the early 1990s. Since then he has won international critical and public acclaim and his career has been replete with solo exhibitions. A selection of these: South London Gallery, Tomio Koyama Gallery, Tokyo, Fondazione Prada, Milan, the New Museum of Contemporary Art, New York, Museum of Contemporary Art, Chicago, as well as the São Paulo Biennale.

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6 febbraio 2010 6 06 /02 /febbraio /2010 14:46
Art-Cologne.jpgART COLOGNE
21 – 25 April 2010

Axa Art Professional Preview on Tuesday, 20 April, 12 pm

Vernissage on Tuesday, 20 April, 5 pm

http://www.artcologne.com

ART COLOGNE introduces the MAURICE LACROIX ART AWARD for New Contemporaries

For more than a decade the section of New Contemporaries has been the place to make unusual and exciting discoveries: young international galleries selected by the Advisory Board of ART COLOGNE (21-25 April 2010) to present between two and four selected positions from their programme. The galleries featured in New Contemporaries will be appearing in stands of 30 square metres in the contemporary fair proper, giving these young enterprises the chance to exhibit among the most respected and active galleries in Germany and the world today. The presentation is supported by Maurice Lacroix, our new partner in making the New Contemporaries section possible. During the course of the fair, an international jury will select and present the MAURICE LACROIX ART AWARD for New Contemporaries to the best stand in the New Contemporaries section.

NEW CONTEMPORARIES 2010:

Loraini Alimantiri Gazonrouge, Athen
Martin Asbaek, Kopenhagen
ASPN, Leipzig
Broadway 1602, New York
CLAGES, Köln
John Connelly Presents, New York
Desaga, Köln
Christian Ehrentraut, Berlin
Figge von Rosen, Köln
Andreas Höhne, München
Iris Kadel, Karlsruhe
Ben Kaufmann, Berlin
Lange + Pult, Zürich
KIMMERICH, New York
Parisa Kind, Frankfurt
Koch Oberhuber + Wolff, Berlin
Kudlek van der Grinten, Köln
Laden fuer Nichts, Leipzig
Galerie für Landschaftskunst, Hamburg
Christian Lethert, Köln
Local 30, Warschau / London
Patricia Low Contemporary, Gstaad
Linn Lühn, Köln
Lullin + Ferrari, Zürich
Mot International, London
Tanja Pol, München
Petra Rinck, Düsseldorf
SCHMIDT & HANDRUP, Köln
September, Berlin
STARKWHITE, Auckland
Diana Stigter, Amsterdam
Jacky Strenz, Frankfurt
The Third Line, Dubai
VAN HORN, Düsseldorf
Martin van Zomeren, Amsterdam
Warhus Rittershaus, Köln
Eva Winkeler, Frankfurt / Köln
Jocelyn Wolff, Paris

About ART COLOGNE 2010

The 44th ART COLOGNE will open its doors from 21st to 25th April 2010. For a total of five days, about 190 galleries from Germany and abroad will present works of modern and post-war art, and contemporary art. Through selected works and carefully assembled presentations, the galleries will offer fascinating insights into the history and present state of the art world. Exhibiting galleries will present paintings, sculptures, installations, videos and photography, works on paper, editions and multiples. In short, ART COLOGNE will cover the entire spectrum of the avant-garde of the 20th and 21st centuries. Museum exhibitions and a variety of special events in the city will offer further highlights during the ART COLOGNE.

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6 febbraio 2010 6 06 /02 /febbraio /2010 14:38
Glenn-Brown.jpgGlenn Brown
6 February - 11 April 2010

Ludwig Museum – Museum of Contemporary Art
PALACE OF ARTS
H-1095 Budapest, Komor Marcell u. 1.
Phone (36 1) 555 3444
Fax: (36 1) 555 3458
info@ludwigmuseum.hu

http://www.ludwigmuseum.hu



The Great Masturbator, 2006
Oil on panel, 110 × 88 cm
Sander Collection
© Glenn Brown


Curated by: Laurence Sillars, Francesco Bonami

Coordinated by: Katalin Székely

In cooperation with Tate Liverpool and Fondazione Sandretto re Rebaudengo, Turin

Glenn Brown's (Hexam, 1966) paintings derive from existing images, often of art historical significance, or sometimes appropriated from popular culture: the primary source of his art is artistic reproduction. He employs images taken from albums or from the internet, adopting imagery from the masters canonised in art history (Rembrandt, Fragonard, Dalí) as well as from lesser-known 19th century painters (John Martin or Bertalan Székely), or even from illustrators of sci-fi books (Chris Foss, Adolf Schaller or Tony Roberts).

He imitates Expressionist brushstrokes: the paintings of Willem de Kooning, Karel Appel or Frank Auerbach, but the final result is not a copy of the original picture, but rather a hyper-realistic copy of its reproduction. His paintings with a mirror-smooth surface recall the illusion of the trompe l'oeil technique, delusive tricks used by the old masters. His meticulously painted canvases may appear to be reproductions enlarged to enormity, while the effects of computer image-processing programs can also be observed in his more recent paintings.

The exhibition at the Ludwig Museum Budapest is the first comprehensive presentation of Glenn Brown's work: realised as a result of cooperation with Tate Liverpool and Fondazione Sandretto Re Rebaudengo in Turin. With a few exceptions, the material of the exhibition in Budapest is the same as that of the exhibitions held earlier in Liverpool and Turin, but in this case, it is the first time that Glenn Brown's so-called "layered" drawings and etchings have been included in the selection, which he creates starting from portraits by Lucian Freud, Rembrandt and Urs Graf.

The unique nature of Brown's works lies in selecting and mixing the "original" works. It is a genuine post-structuralist consideration, and as such, it also ironically questions the role of the author. Glenn Brown's choices are never for their own sake (he often chooses archetypes who exercised artistic appropriation themselves, such as Salvador Dalí, Francis Bacon or Willem de Kooning), and at the same time, he does not make a distinction between high and popular art, or kitsch and canonised art. His pop quotations (from the songs of Joy Division, The Smiths, Ralph McTell or Lisa Stansfield, or parts of musicals) as titles are just as inseparable parts of his works as the brushstrokes combining paintings by Rembrandt and Vélazquez. In each case, the final result is an autonomous artwork, which rebuffs both Benjamin's criticism and the theoreticians of the avant-garde, first of all Clement Greenberg's cult of originality. With his quotations, Brown finds a possible language of today's painting, which consists of nothing but an infinite pile of pre-existing pictures. In the formation and elaboration of this visual language, however painting skills and knowledge, as well as the viewer who admires or feels disgusted by the pictures, play an outstanding role.

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Presentazione

  • : Indipendent Collector Outsider Art
  • : Pubblicazione eventi culturali, ricerca spazi e luoghi espositivi, promozione di artisti.
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